Aesthetics of Opera in the Ancien Régime, 1647–1785
Identifieur interne : 000710 ( Main/Exploration ); précédent : 000709; suivant : 000711Aesthetics of Opera in the Ancien Régime, 1647–1785
Auteurs : E. Thomas GlasowSource :
- The Opera Quarterly [ 0736-0053 ] ; 2004.
English descriptors
- Teeft :
- Aesthetic analyses, Ancient tragedy, Antoine adam, Arts florissants, Author thomas, Autonomous spectacle, Bibliography list, Book deals, Book thomas, Books aesthetics, Cambridge university press, Cardinal mazarin, Central feature, Collegium vocale, Comique genre, Compelling case, Conceptual apparatus, Contemporary philosophers, Critical discourse, Critical essay, Display traces, Dissertation critique, Eighteenth century, Emotion impacts, Enlightenment theories, Fausse magie, Foucauldian interpretations, French audiences, French critics, French culture, French opera, French soil, Gustave lanson, Historical shift, Human feeling, Human mind, Ideological circumstances, Individual works, Italian opera, Jean terrasson, Literary querelles, Lullian models, Main assumptions, Many musicians, Medical treatises, Modern musicologists, Modern opera, Modest number, Moral basis, Moral condemnation, Much emphasis, Musical aspect, Musical examples, Musical works, Opera cambridge, Oxford university press, Paul book, Paul etienne gros, Period illustrations, Physical effects, Polemicists boileau, Political dimensions, Popular view, Present evidence, Primary source, Regular tragedy, Second half, Serious literature, Spectator expectations theater planners, Striking assertion, Stunning shift, Theoretical writings, Thomas bases, Thomas cambridge studies, Thomas glasow notes, Thomas traces, Uneasy absolutist vehicle, Usual nomenclature, Viable alternative.
Url:
DOI: 10.1093/oq/kbh008
Affiliations:
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